Liars' League

A Fortnite is a Long Time in Politics by Callum Jacobs

Fortnite MP3

Read by William Foxton

When his remarkable talents had first been spotted, Sami el Zafar was just thirteen. Or possibly fourteen. Sami had arrived in England from Syria with no passport, no family and no English. He was given a place at the local secondary school and by all accounts he’d had a tough time fitting in. No surprise in that, all alone in the world and having witnessed who knew what horrors back in his war-torn homeland. He didn’t speak much about it. He didn’t speak much about anything.

It wasn’t until one day at After School Club, the repository for kids whose parents didn’t trust them to go home on their own, that Sami’s skills were discovered.

After School Club was set up with tables for students to complete homework or to read quietly but also, under certain conditions, to use the school’s PS4. Sami never got to use it, being too shy and non-verbal to ask, and too weird to be invited by anyone else. So Sami would stand and watch the other kids playing, hovering behind them and humming. It used to irritate the piss out of them.

Lockdown Literature: YOUNG & OLD, Tuesday 14th April - online!

Not much makes social distancing and/or self-isolation better, but fictional escapism sure helps - and this month, we have that in spades. So we're going ahead with our Young & Old show on April 14th, but online - because even the First Horseman (pestilence, but you knew that) can't keep a good short story down!

WINNING STORIES for YOUNG & OLD
(featuring ALL NEW authors)

Advice to my Child by Jo Gatford, read by Sarah Feathers
A Fortnite is a Long Time in Politics by Callum Jacobs, read by William Foxton
Befriending by Irina Zahl, read by Greg Page
Exiled by Brian O'Hare, read by William Teller
She's Ended Up Middle-Aged by Alix Owen, read by Charlotte Worthing
The Blue Man of the Minch by Matt Barnard, read by Silas Hawkins
In the Round by Sarah Richardson, read by Carrie Cohen

We have genius gamers, sassy mamas, Iraq War soldiers, elderly lovers, what-now? weddings, folk singers and cows giving birth: truly something for everyone, read by our superb company of actors.

It's obviously an unusual situation this month, so our mighty actors will be recording video and audio (at home) of our seven winning stories, so they can be released as podcast, YouTube playlist and text on the planned event date. Then we'll create a watch party at 7.30pm on April 14th on Facebook, so you can watch them "live" from home with popcorn and a drink.

(We're going to try and recreate the fun of the infamous book quiz too, maybe by publishing the questions after the third story and posting a book to whoever answers fastest - but watch this space! :)

Hull to Haddon Hall by Lauren Van Schaik

Read by David Mildon

Mick’s gold lamé jumpsuit reeked: of sweat, of beer, of that gummy stage makeup, in the armpits and down the crotch. He noticed when he shimmied into it in the green-room, zipping it to his sternum.

He could have had it washed, he imagined, but could you dry-clean a thing like this? He couldn’t imagine picking it up, in a swishy, loud garment bag; the winking looks from behind the counter. He couldn’t imagine even being in a dry-cleaner. Or a launderette: watching the gold lamé spin, like an astronaut tumbled in a rocket ship; like a man washing his Mam’s best Debenhams dress.

What Now? by Enzo Kohara Franca

Read by Kevin Shen

Some called it the Fourth Industrial Revolution. Others the Third Wave of Automation. Terminology aside, we all knew what they meant. Truck drivers, radiologists, abstract painters – all had been bettered by algorithms.

  And now it was our turn. “Amateur” adult actors.

  Many a journalist has interviewed those in our profession and come back with horror stories about our upbringing. Parents enslaved by opioids. Partners with a taste for extreme violence.

  Trust me. Those clichés aren’t true of us.

Aletheia by Katty Pearce

Read by Paul Clarke

It is not our custom to invite strangers here, you know. For obvious reasons. Except of course on our Treat Days. Every Leap Year our Keepers permit just one resident to invite a guest to join us. Given the general sense of irony in here, it’s always on Valentine’s Day. Read nothing into that. It is simply an institutional joke. We take it in turns. It staves off the loneliness and the despair that follows. Today the honour has fallen to me. You are my choice. My treat.

But why you? Well, I have read your column, of course.

I enjoy your hyperbole, your witty turns of phrase. And I do so enjoy your amoral stances on whatever little titbits you happen to pick up around town. A dying art these days, the art of the high society gossipmonger. ‘Aletheia’ – your pen-name amuses me. ‘The disclosure of truth’.

The Kiss by Brindley Hallam Dennis

Read by Sophie Cartman

The two couples, not often, but three or four times a year, would get together for a meal in a small restaurant or bistro café near the city centre. At that time of the early evening when the office workers have departed in their cars, or on their trains and buses, and the late night diners have not yet arrived, they would meet at whatever car-park was nearest. Traffic would ignore them, going in the opposite direction, eager for, or resigned to home. Buses lit up like chandeliers would pass them by. Pedestrians wrapped up in their thoughts against the chill would walk on. The scent of late flowers, overhanging the pavements and brushed against, wafted on the evening air. 

VALENTINE'S EVENT: Scoundrels & Scandals, Tuesday 11th February

Every second Tuesday of every other month five fantastic pieces of fiction by hot, up-and-coming new writers are read to a lively audience by our talented actors.

Our first event of 2020, on Tuesday 11th February, was saucy and sexy for Valentine's - featuring Brazilian amateur porn-stars, amorous avatars, Victorian vices, ambisexual rockstars, unconsummated lust and of course, our lascivious literary quiz, plus all the Love Hearts your, er, hearts could desire.

Want to hear it? Here's the Scoundrels & Scandals Podcast

Want to watch it? Here's the video playlist.

Want to read all the stories? (Old school)! Here they are. You're welcome :)
 

SCOUNDRELS & SCANDALS WINNING STORIES

Aletheia by Katty Pearce NEW AUTHOR - read by Paul Clarke
What Now? by Enzo Kohara Franca NEW AUTHOR - read by Kevin Shen
To All the Avatars I've Loved Before by Erica Buist NEW AUTHOR - read by Kim Scopes
The Kiss by Brindley Hallam Dennis - read by Sophie Cartman 
Hull to Haddon Hall by Lauren Van Schaik - read by David Mildon

Doors always open at 7pm for a 7.30 start and tickets are £5 on the door (currently cash only, sorry, but there's a cashpoint 2 minutes away). Drinks and food are available at the bar throughout. There's no pre-booking, but tables for four or more can be reserved by calling 07808 939535.

The venue is the downstairs bar at: The Phoenix Pub, 37 Cavendish Square, London W1G 0PP

Accessibility note: Access to the basement is via stairs: there's no lift, sadly. The Phoenix is 5 minutes' walk from Oxford Circus tube station, which is on the Victoria, Bakerloo and Central lines.

Sugar 'n' Spice Weekly Words, by J.A. Hopper

Read by Gloria Sanders (fifth story in podcast, here, or here if that doesn't work)

Dear Parents and Carers,

Happy Friday, Merry Christmas to those who celebrate it, and welcome to your Weekly Words from everyone at Sugar ‘n’ Spice Day Nursery! The children have had lots of fun this week exploring the world and embracing learning, and we have some lovely pictures in this newsletter later on! But first, some dates for your diary:

We know the children LOVE our dressing-up days, and the grown-ups love the photos (if not making the costumes, :) so next week’s nursery Christmas party theme is POEMS! Please bring your child to nursery dressed as a character from their favourite POEM, for example Stick Man by Julia Donaldson, The Gruffalo by Julia Donaldson, The Gruffalo’s Child by Julia Donaldson … I’m sure you can think of plenty, even if they’re not by Julia Donaldson. Maybe we should just call it our annual Julia Donaldson party! :)

Bad Cakes by Roly Grant

Read by Carrie Cohen (fourth story in podcast, here, or here if that doesn't work)

The perfect apple cake, loved by grand-children, great grand-children and invading rats, needs six last-of-the-season English Russets. From where she lies, in the orchard’s long wet grass, looking up into the apple tree’s twisted limbs, she counts 74, 75, 76, their rough skins wet with dew. A snap, a breath, and a deep thump break the silence as another falls. 75. Falling on the heads of scientists. Given to princesses who fall asleep. Passed between Eve and falling Adam. And then they lie, rotting in neglected grass, waiting to turn the ankles of old ladies who fall, flat on their backs, as the moon rises.

She had been out there, in the garden after midnight, setting Bad Cakes for the rats. Six English Russets and, to make a good cake bad, a scoop of green powder from the red box at the back of the shed. The instructions said to put small piles of the stuff in the corners of outbuildings. But the rats weren’t interested in an old shed, full of rusted tools. They came from across the fields, sniffing out her fresh seeds just below the surface, digging up her baby plants. Poison put down outside just washed into liquid mess, weeping into the soil it was supposed to protect, dangerous for curious little fingers that might poke at it.

The Sugar Merchant by Lisa Farrell

Read by Paul Clarke (first story in podcast, here)

The night they banned it, I became the richest man in the city. Instantly, sugar was worth its weight in gold. I travelled around and sold pieces in back alleys and black markets. I exchanged it for silk, for jewels, for dowries and lifesavings. Nothing is worth more than that which we cannot have.

Soon I was decked like a festive tree, adorned with ruby rings and gold chains, and still I carried a sugarloaf in every pocket. I never partook myself of course, never let the white stuff pass my lips. I’d seen what one taste could lead to, seen the need in their eyes and decay in their mouths. I didn’t want my perfect teeth to rot. Who could sell anything then?

Yet, I got greedy all the same. That time was coming, Yuletide, when every merchant rubs his hands with glee or cries in desperation. You sell in the rush and make your fortune, or live like a pauper for the rest of the year. Not me, not this year, not now everyone wanted what I was selling.

The Snow Children by Peggy Lee

Read by Margaret Ashley (second story in podcast, here)

I hear the pitter patter of feet during the night, as I knew I would: the crunch of fresh snow; the whoosh of snowballs cutting through the icy air, landing with soft thuds on trees, on the brick walls of the house, on the glass of my bedroom window.

Are they calling me? Greeting me again after two long, long years. It did not snow last winter, and I have waited seven lengthy seasons.

I have missed them. Time dragged its feet to the rhythm of the grandfather clock in the hall and the dent in the armchair seat is noticeably deeper. I used to roam the house, wandering through the corridors in never-ending spirals, moving from one window to the next. Watching. Now that I can see every knot in the wooden banister in my mind's eye, every broken tile in the kitchen floor, I prefer to sit. The view from the living room’s French windows is encompassing enough. I can see most of the garden, the dark shadows of the forest. Behind me, the corners fill with dust, pale follicles of skin banking up like drifts of snow.

Think Fast, Sugar by Alan Graham

Read by Katy Darby (third story in podcast, here)

The line for the only toilet in the building is at least six people deep when I join. Christ alive, this place is a hole. A poky recording-studio in North London that has clearly seen better days. Outdated equipment, cramped facilities and one single toilet. Whoever designed this place in the sixties had no idea that one December, twenty years later, the entire British music industry would descend to record yet another Christmas charity single.

As I wait, I look through the lyric-sheet for the song we’re recording today, to find the couplet intended for me and my sister. I finally locate it, sandwiched between lines for Andrew Ridgeley and the girls from Bucks Fizz. I sing it once quietly to myself.

“Remember when we fill our bellies

Their starving faces on our tellies”

Jesus wept, you’d think they'd suffered enough?

Christmas event: SUGAR & SPICE at The Wheatsheaf, Fitzrovia, on Tuesday 3rd December

What are our Christmas stories made of? Sugar & Spice (click for Facebook event) and all things nice, that's what! Also Bailey's, snow ghosts, cocaine, feral toddlers, charity singles and just a pinch of rat poison. Delicious! And here are all the videos on our YouTube channel. Merry Christmas!

Our cosy Christmas venue was The Wheatsheaf, Rathbone Place on Tuesday 3rd December. Now, drum roll please ... 

WINNING STORIES for SUGAR & SPICE

The Snow Children by Peggy Lee, read by Margaret Ashley

TBC by Roly Grant, read by Carrie Cohen

Sugar & Spice's Weekly Words by J. A. Hopper, read by Gloria Sanders

The Sugar Merchant by Lisa Farrell

Think Fast, Sugar by Alan Graham, read by Katy Darby

 

Doors open at 7pm for a 7.30 start and tickets are £5 cash on the door. Entry includes a programme, participation in our infamous literary quiz where brand new books can be won, and of course all the mince pies you can eat. Drinks and food are available at the bar throughout. There's no pre-booking, but tables for four or more can be reserved by calling 07808 939535. The venue is the upstairs bar at The Wheatsheaf, 25 Rathbone Place, Fitzrovia, W1T 1JB.

Accessibility note: Access to the upstairs is via stairs: there's no lift, sadly. The Wheatsheaf is 5 minutes' walk from Tottenham Court Road tube, which is on the Central and Northern lines, and about seven minutes from our regular venue The Phoenix if you accidentally go there first ...

Never Goes Out by Sophie Bloom

Read by Patsy Prince (final story in podcast, here)

How to put this?

I was looking for a flat, and then I found a flat and Heaven knows … that didn’t go so well. 2019 hadn’t been a great year anyway. First I lost my job, then my dog died, then my boyfriend left me for a woman who was literally called Jolene. I know it sounds like a country song, but that was the actual order of events. And the worst thing was that our shared flat in Vauxhall actually belonged to my now-ex, Johnny, so I had to move out. Except I couldn’t afford to live in London any more because I’d lost my zero-hours contract at HMV.

I had six months’ worth of savings and no interest in living, so I decided to move back to Manchester to make the misery last. I slept too much, ate too little, took up smoking and made endless cups of tea which went cold while I stared emptily at the grey Moss Side rain. Apart from that, I pretty much wasted my time. The dodgy-looking middle-aged guy I sublet the flat from turned up to take the deposit and give me the keys, then instantly ghosted me. Which was ironic, given what followed.

The Burning Boys by Jon Hayes

Read by Zach Harrison (fourth story in podcast, here)

There’s a small town buried in the Californian desert where boredom can be fatal. Maybe ten thousand people total live there, battling the constant enemies of hundred degree heat, dust that clogs and chokes everything in sight, and a landscape that runs from rust coloured to burnt umber with nothing much in between. The locals refer to it as ‘shit-town’ and I can’t say they’re wrong. There’s not much you can do about the heat or dust, but the local kids do have a unique cure for the boredom.

During the week it’s quiet because there’s nothing much to do but get in each other’s business in a half-hearted sort of way and work on your car. But as Friday night approaches the teenagers start to get jittery and ornery like a junkie itching for a fix, and arguments spark over nothing at all. No one talks about it, but what they’re all feeling is that loose, liquid sensation you get the in the pit of your stomach when you get too close to the edge of a canyon, and dare yourself to peek.

An Esteemed Family Business by Sarah McDermott

Read by Rich Keeble (third story in podcast, here)

Memorandum from the desk of James Andrews, junior filing clerk at Mitchell, Sons and Candy, solicitors. Dated 25 September, 1896.

Dear Mr. Candy,

As I was reviewing the quarterly files, I couldn’t help but notice that one of our clients — a Mr Dracula — has bought five or six crumbling old houses in and around London.

Some of these properties have been on our books since Mitchell, Sons and Candy was merely Mitchell and Sons. They must be in a dreadful state of disrepair. Surely we could have found him a more suitable range of properties to invest in! Are the firm’s partners aware of this curious transaction?

Your humble servant,

James Andrews

An Odd Fish by Lisa Farrell

Read by Josie Charles (podcast here, first story)

My man went with the rest, down to the sea. To mended nets and patched boats, and stories of the night before. The sun was bright, so they strode bare to the waist, muscles flexing as they pushed their crafts into the foam, laughing at each other’s jokes.

The children went too, clambering sure-footed and long-legged over the rocks towards the cliffs, to see what treasures the waves had deposited in the rockpools. The braver ones might climb those cliffs or dive into the sea for pearls, their mothers scolding and praising those that returned with a prize.

I retreated into the cool shade of the trees, while the other women set to their work at the river, gossiping as they scrubbed the scales from yesterday’s catch, leaving flesh raw. I cradled useless hands inside long sleeves, and hung my head as I passed the others, their gazes slipping over me. Pity is a terrible mercy, so easily it gives way to something worse. My husband’s sisters bore the brunt of my work, when my wrists swelled and fingers stiffened.

New Tongues by Cassidy Phillips

Read by Peter Kenny (second story in podcast, here)

It is not true to say that the dead have come back. That it has been said – and shall no doubt continue to be said among the “panicking classes” – is regrettable, but also rather inevitable. Such pronouncements have a certain romantic appeal, after all, and that is the cornerstone of any good naive theory. However, these claims are founded on a series of culture-bound misunderstandings which necessarily distort our perception of the matter at hand. Cultural baggage cannot help us here: this is not an occurrence which can be understood by appealing to our knowledge of lurid comics, holy books or late-night movies. It is nothing so easy to digest.

The first and most common misapprehension is the assumption that we are discussing some kind of new and heretofore undocumented condition. We are not. The fact of the matter is that said condition has been known of for some time, but it is so slight a thing that most members of society shall not have encountered it.

Those whose work brings them into contact with cadavers, however – cadavers in their natural, non-sanitised state – have been reporting this phenomenon since the early 1960s. It is something which is to some extent familiar to paramedics, morticians, hospital orderlies, care home workers, police officers, even end-of-life counsellors, but which taboo and common courtesy dictate is not discussed outside of these professions.

 

Wetico by Jennifer Gaboury

Read by Katy Darby (fifth story in podcast, here)

“In our language we have this word ‘wetico’ which means cannibal: one who eats not literally the flesh and blood of another, but who eats the life of another”

– Jack Davis, Professor of Native American Studies, University of California.

The wire quivers, the wrists and ankles flick, the head jerks upright, the arms rise, the legs dance. The string winds round the world, conducting ten billion bodies and me. Black holes open in our palms; a thin blue line manifests where our mouths used to be. We no longer speak. We reach, we eat. Consumption consumes us. But didn’t it always?

She doesn’t look at me when she groans through stitched lips. Her ghosted eyes rove over racks of clothes as she pulls down ten articles at a time, the tongues of her palms slavering over the fabrics, the teeth in her hands cribbing the hangers. When I rub my hands down my jumper and jeans, the drool forms a hoarfrost-sort of lacquer, like a dry hound-lick. I’ve spotted designer boots. I leave her swimming in a pile of cashmere cardies.

Hallowe'en event: TOIL & TROUBLE, Tue 8th October

Double double, toil and trouble, fire burn and cauldron bubble ...

We grave-robbed six terrifying tales for our TOIL & TROUBLE pre-Hallowe'en special on Tuesday 8th October at The Phoenix. These brand-new short stories, read by our professional actors, featured spiritual cannibalism, lovelorn witches, talking corpses, ghosts on fire, Dracula's estate agent, and the shade of a post-punk icon ...

WINNING STORIES for TOIL & TROUBLE

Wetico by Jennifer Gaboury, read by Keleigh Wolf

New Tongues by Cassidy Phillips, read by Peter Kenny

An Esteemed Family Business by Sarah McDermott, read by Rich Keeble

The Burning Boys by Jon Hayes, read by Zach Harrison 

An Odd Fish by Lisa Farrell, read by Josie Charles

Never Goes Out by Sophie Bloom, read by Patsy Prince 

Doors open at 7pm for a 7.30 start and tickets are £5 on the door (currently cash only, sorry, but there's a cashpoint 2 minutes away). Entry includes a programme, participation in our infamous book quiz where terrific horror fiction can be won, and of course all the sweets and candy you can eat. Drinks and food are available at the bar throughout. There's no pre-booking, but tables for four or more can be reserved by calling 07808 939535.

The venue is the downstairs bar at: The Phoenix Pub, 37 Cavendish Square, London W1G 0PP

Accessibility note: Access to the basement is via stairs: there's no lift, sadly. The Phoenix is 5 minutes' walk from Oxford Circus tube station, which is on the Victoria, Bakerloo and Central lines